Wizard World Philadelphia Comic Con 2016: Recap and Photo Highlights

Wizard World Philadelphia Comic Con 2016. Photo by Kendall Whitehouse.

This past weekend, the sixteenth Wizard World Philadelphia Comic Con presented a four-day festival of pop culture entertainment. Traditionally the second largest event hosted by Wizard World (second only to the one in Chicago), this year’s Philadelphia event featured panel sessions and autograph opportunities with a roster of celebrities from popular movies and television shows.

Wizard World CEO: “Amping it Up”

Wizard World CEO John Maata.

CEO Maatta: “Amping it up.”

It’s been a challenging year for Wizard World, Inc. After showing a profit of $995,000 in 2014, the company lost $4.25 million in 2015. This past April, Wizard World Entertainment president and CEO John Macaluso stepped down and was replaced by John Maatta as president and CEO, with Paul Kessler appointed as chairman of the board.

After expanding from 17 shows in 2014 to 25 in 2015, the company’s revenue per show fell from $1.36 million per show in 2014 to $916,000 per show in 2015. Wizard World recently trimmed its investment in streaming platform CONtv, a costly joint venture with Cinedigm, and appears to be cutting back on the number of events it plans to hold this year.

Newly appointed chief executive Maatta, however, appears more focused on doubling down than retrenching. When I asked about his plans to return the company to profitability, Maatta rejected the idea that the business required a course correction, stating he intends to “amp it up” with “better marketing and more content creation.”

The programming during the four days of the Philadelphia event showed no signs of scaling back.

Exhibitors: Artists and Autographs, Comics and Telecom

Thursday is the shortest of the four days of Wizard World Philadelphia, running from 3 PM to 8 PM. Unlike Preview Night at San Diego Comic-Con, during which there are no panel sessions, Wizard World Philadelphia provided a full slate of programming content on the show’s opening day. Nonetheless, Thursday’s relative calm before the arrival of the weekend crowds presented an ideal time to explore the exhibition hall.

Comic books…

As in past years, the show floor included the usual assortment of vendors of comic books, action figures, and pop culture goodies. In previous years, it was jarring to see vendors unaffiliated with popular culture exhibiting at a comic con. [See Knowledge@Wharton, “Consumer Brands Go Geek at Comic Con”  and “Philadelphia Comic Con: Batman, Buffy and … Bath Fitter?“] This is now a common sight at Wizard World shows and, to a lesser extent, at ReedPop’s New York Comic Con as well. Comic-Con International’s San Diego event is an outlier among the larger conventions in keeping the show floor focused exclusively on products related to pop culture.

… and telecom services…

Telecom companies were in abundance at this year’s Wizard World, with booths by Comcast Xfinity, T-Mobile, and Sprint looking to connect with the pop culture audience. Insurance companies, including State Farm and Geico, and home improvement firms, such as Power Home Remodeling and Bath Fitter, were also anxious to attract the attention of the large crowds attending the show.

For fans interesting in comics, however, there were vendors offering single issues, graphic novels, and services such as grading and encapsulation (aka “slabbing”).

…and artists like Bob Camp.

The exhibition hall also included rows of comic book artists and writers available to chat with fans, sign autographs, or create commissioned illustrations. The Philadelphia show included a number of noteworthy comics creators including writer/artist Howard Chaykin, artist Dean Haspiel, and artist J.G. Jones. A row of tables featuring animation illustrators included Bob Camp, Mike Toth, and Tom Cook.

Throughout all four days of the show, a series of live demos by artists provided mini-lessons for aspiring comic book creators.

Friday Panels

Friday’s line-up of programming sessions featured panels on everything from comic books and movies to literature and professional wrestling.

Dean Haspiel, Howard Chaykin, and Danny Fingeroth.

For a panel on “Two Generations of Upstarts” Danny Fingeroth ably attempted to contain Howard Chaykin and Dean Haspiel during a freewheeling conversation filled with colorful anecdotes (often stated in colorful language). The pair spoke about their long working relationship (Haspiel began his career as an assistant to Chaykin) and regaled the audience with tales of working with storied creators such as Gil Kane and Walt Simonson.

Other panels Friday afternoon included the following:

“Diversity in Pop Culture” with Tony B. Kim, Craig Liggeons, Victor Dandridge, Janice Lai, and Chelsea St. Juniors.

Tony B. Kim moderated “I’m Not a sidekick: A Discussion on Diversity in Pop Culture,” with panelists Craig Liggeons, Chelsea St. Juniors, Janice Lai, and Victor Dandridge.


Sheamus with Mo Lightning.

Mo Lightning led a conversation with WWE wrestler Sheamus.


Anthony Bueno and Claire Bueno discuss “Cleanin’ Up the Town: Remembering Ghostbusters.”

Anthony Bueno and Claire Bueno discussed their efforts to produce the documentary, Cleanin’ Up the Town: Remembering Ghostbusters.


“Back to the Future” co-writer and co-producer Bob Gale.

In “(Almost) Everything You Always Wanted to Know about Back to the Future,” author Michael Klastorin spoke with Back to the Future co-writer and co-producer Bob Gale about the long road his story took from conception to completion. The initial impetus for the film, Gale explained, arose from the observation that predictions of the future unfailingly miss the mark. Gale showed a series of wildly fabulous — and hugely impractical — images of previous extrapolations of the world of tomorrow. The film’s plot didn’t gel, however, until Gale saw a picture of his father in an old high school yearbook and began to wonder what his father was like as a teenager. What would it have been like to have met him back then, he wondered? Gale and director Robert Zemeckis then began to speculate on what their mothers might have been like in high school, and the basic outline of the screenplay was formed.


Tony Miello and Bill Pulkovski discuss Edgar Allan Poe.

Tony Miello and Bill Pulkovski from Rocket Ink Studios led a discussion on the continuing influence of the writings of Edgar Allan Poe.


“Honest Trailers” with Andy Signore, Dan Murrell, and Spencer Gilbert.

Friday concluded with a panel by the “Honest Trailers” team from ScreenJunkies, Andy Signore, Spencer Gilbert, and Dan Murrell. The session featured screenings of a couple of yet-to-be released trailers. The team also discussed their coup in getting Ryan Reynolds to perform in their Honest Trailer for Deadpool.


Celebrity Saturday

Saturday brought out the big-name talent at a series of celebrity panels, many of which filled the Philadelphia Convention Center’s 4,300-seat Terrace Ballroom. The day offered interviews and audience Q&A sessions for fans of the Marvel Cinematic Universe, several popular television shows, and one classic film from the 1980s.

“Team Cap”: Anthony Mackie, Sebastian Stan, and Chris Evans.

The day began with three members of Civil War‘s “Team Cap” — Chris Evans, Sebastian Stan, and Anthony Mackie — in conversation with Andy Signore from ScreenJunkies.


Stephen Amell.

Stephen Amell spoke with Pure Fandom’s Lindi Smith and answered audience questions about his role as Oliver Queen in Arrow, including what to expect in season 5 of the show. Amell also half-jokingly (yet half seriously) encouraged everyone in the audience to see Teenage Mutant Ninja Turtles: Out of the Shadows, in which he plays Casey Jones.


Chris Hemsworth and Tom Hiddleston.

Chris Hemsworth and Tom Hiddleston spoke with Mo Lightning about their roles as warring brothers Thor and Loki. Hemsworth also described playing the quite different and “completely wacky” role of Kevin in the upcoming Ghostbusters film. In response to a question from Hiddleston, Hemsworth admitted that while Thor was one of his greatest acting roles, Kevin was much closer to his actual personality. Hiddleston, for this part, was anxious to downplay rumors that he might be cast as the next James Bond, telling the crowd, “I don’t think that announcement is coming, but I am very gratified to hear the enthusiasm. Your guess is as good as mine, to be honest.”


“Back to the Future” with Michael J. Fox, Lea Thompson, and Christopher Lloyd.

The Back to the Future panel featured Bob Gale, the co-writer and co-producer of the popular 1985 film, along with actors Michael J. Fox, Lea Thompson, and Christopher Lloyd in conversation with Michael Klastorin, author of Back to the Future: The Ultimate Visual History. Gale described a number of details about the genesis of the film, including the difficulties getting Michael J. Fox for the role of Marty because of his prior commitment to the television show Family Ties.


David Duchovny, Mitch Pileggi, and William B. Davis with Tony B. Kim.

For fans of The X-Files, actors David Duchovny, Mitch Pileggi, and William B. Davis spoke with moderator Tony B. Kim about the original television program and the recent six-episode revival series.


Hayley Atwell and Dominic Cooper.

Closing out the day, Pure Fandom’s Liz Prugh hosted the panel with Agent Carter actors Hayley Atwell and Dominic Cooper. While both actors are attached to new series — Cooper’s Preacher and Atwell’s forthcoming Conviction — much of the conversation centered around the recently canceled Marvel’s Agent Carter, with fans expressing the hope that the show might be revived on a platform such as Netflix.


Creative Cosplay

No con would be complete without seeing costumed characters roaming the hall. Wizard World hosts number of professional cosplayers including Jackie Craft and Brit Bliss. Most of the costumed characters strolling around the venue, however, were fan creations.

Elizabethan Superheroes.

Some clever costumes were mashups from different cultural contexts. A pair of cosplayers who could perhaps be described as Ronald McJoker and Hamburiddler showed a version of McDonald’s characters who might be found stalking Gotham City. Time-shifted Marvel superheroes on the show floor included Elizabethan versions of Captain America, the Winter Soldier, Thor, and Loki.


For a complete photographic overview of this year’s event, see the Flickr album: Wizard World Philadelphia Comic Con 2016

Wizard World Philadelphia Comic Con 2016. Photos by Kendall Whitehouse.

[Click to view photo gallery]

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Mysteries of the Comic-Con ‘Hotelpocalypse’


Due to the enormous popularity of San Diego Comic-Con, acquiring a ticket to the annual pop culture event is difficult. If you are lucky enough to snag a ticket, however, getting a hotel room may be even more challenging. In both cases, the demand far outstrips the supply. In the case of hotel rooms, confusion over how the sale process works exacerbates the situation. This past week, the quest to secure rooms for San Diego Comic-Con 2016 — affectionately (or not so affectionately) known as “Hotelpocalypse” — left many attendees confused and frustrated.

When Demand Exceeds Supply: Randomize!

As with most large conventions, Comic Con International, the organization that runs San Diego Comic-Con, arranges for blocks of hotel rooms to be available for attendees throughout San Diego’s Gaslamp Quarter and as far away as the airport, Mission Valley, and Coronado Island. This year travel planning agency onPeak managed the annual hotel sale for Comic Con International.

Hilton-Bayfront-SDCC-20150-photo-by-Kendall-Whitehouse-480x480While rooms are available outside this system, the high demand drives prices to astronomical levels. When booked through Comic-Con’s travel agency, onPeak, a room at the popular Hilton Bayfront costs $308 per night. (For comparison, on weekends other than that of Comic-Con, rooms at the Bayfront go for as low as $169.) If you book the same room outside of the onPeak sale during the weekend of Comic-Con, the price is $1095 per night (plus the usual taxes and fees). Understandably, many want to acquire rooms through the Comic-Con sale.

To apply for a room, attendees submit a form with their top six hotels choices listed in order of preference, enter their personal data, and specify what should happen if none of their six hotel selections is available: book a room in any hotel on the shuttle route, book a room at any hotel in the area, or discard the request.

In previous years, the form went live at a specified time and requests were processed in the order submitted. It was a mad dash to complete the form as quickly as possible. Getting a room in one of the popular downtown hotels required racing through the multi-section form in less than a minute or two. The high peak demand on the system led to numerous technical problems such as pages not loading or submissions inexplicably lost.

Tickets to San Diego Comic-Con were once similarly allotted on a first-come, first-served basis, with equally problematic results. Two years ago, Comic Con International switched to a system of randomized ticket sales. During a recap of the previous year’s event, CCI President John Rogers noted that the earlier approach had little advantage over a random lottery, stating, “There are so many people hitting the system at the same time that, in fact, it is random.” (“See Comic-Con Ticket Sales: Systematizing Randomness“)

This year, Comic-Con International decided to randomize the submission of hotel forms as well. Users were given a three-hour window to access an online “waiting room” and then, at the appointed time, were randomly placed in a queue to gain access to the hotel request form.

While this seemed to go well on the day of the hotel sale, there was a great deal of uncertainly about the details, particularly when attendees started getting the results a few days later.

People reported having relatively low numbers in the queue, yet failing to receive any of their hotel selections. Reports filtered in of friends with later spots in the queue getting rooms at popular hotels while people earlier in line got none.

Confusion over Sequence, Timestamp, and Duplication

While those who failed to get the room they wanted were obviously disappointed, much of the frustration arose from confusion about how the process worked.

The early word was that, even with the randomized queue as a gating factor, requests would still be processed in the order of the timestamp when they were submitted. Thus, as in past years, once the form appeared, many raced to complete it as quickly as possible, risking the possibility of making critical errors that would invalidate their submission. After the sale closed, a tweet from onPeak stated that forms would be handled in the order of the user’s assigned place in queue rather than the submission timestamp. Some anecdotal reports seem to contradict this, however, leaving it unclear how the forms were sequenced for processing.

Users were also told that duplicate submissions would not increase the odds of getting a specific hotel and, in fact, it would likely decrease one’s chances since “only the most recent submission received will be the one processed.” What qualified as a “duplicate submission” remains unclear, however, with reports (or speculation) of requests being disregarded for myriad reasons, including forms with the same mailing address, or with the same phone number, or for no apparent reason whatsoever.

A parody Twitter account, “Fake onPeak,” appeared shortly after the sale lampooning the organization behind the process, issuing tweets like: “Reminder: As you call us today, you’ll be placed in a random order. Call twice and we will have to ignore your request.

Hotel Allocation Schemes: Sequence and Preference

Another aspect of the system is unclear: What is the exact method by which hotels are allocated based on people’s sequence in the randomized list and their priority selections?

A common view is that the Comic-Con hotel sale works something like this: People’s requests are first randomly ordered and then the system goes through this list and examines each person’s six selections in the order given to look for an available room.

In other words, the system starts with the first person in the queue. If a room at their first choice hotel is available, they’re allocated that room. If not, the system looks at their second choice. If a room in that hotel is available, they’re granted that room. And so on through the set of their six hotel options. If none of these is available, the system follows the option specified for this situation such assigning the person to another arbitrary (randomly selected?) room on the shuttle route or in any available room. (The details of how this subsequent selection process occurs are also mysterious.)

While this system is simple to understand and relatively easy to implement, it can lead to potentially sub-optimal outcomes. For example, let’s assume that when my slot in the sequence arrives, my first five selections are unavailable and there is one room left at my sixth choice hotel, say, the Omni Hotel. I would get the room at the Omni. If the next person in the randomly-ordered sequence selected the Omni as their first choice, they would not get the room.

You can argue that this is fair, since I was randomly placed ahead of the other person wanting to stay at the Omni. But it’s unfortunate that someone who wants the Omni as their first choice loses out to someone who cares only slightly for that hotel (particularly since the selection was made randomly).

An alternative approach would seek to maximize the overall satisfaction of all participants by following a different algorithm. Rather than looking through all six hotel options for each individual before moving on to the next person, the system could fill each hotel by looking through the ordered list of all the requests by priority first. In other words, start with a hotel (in order of size or popularity — or simply alphabetically), then go through the ordered sequence of users looking for those who made this hotel their first choice before looking at the second-choice selections for this hotel

For example, when looking to fill the rooms at the Hilton Bayfront, look through the ordered list of people to identify those who listed the Bayfront as their first choice. Proceed through the requests in the ordered sequence – looking only at each person’s top choice — until either the Bayfront is filled with people who picked it as their first choice or the end of the list of people is reached. If the system gets to the end of the list of first-choice selections and rooms are still available, it then starts over at the beginning of the list looking for people who selected the Bayfront as their second choice. Continue in this way for each hotel until all the rooms are filled.

This approach would assure that each hotel is filled with those who are most desirous of that location. The randomized sequence would still be important, but it would carry less weight relative to the individual’s prioritization of the hotels.

Until Next Year

Because the demand exceeds the supply — particularly for the popular downtown hotels — there will inevitably be complaints from those who failed to get the room they wanted. But the lack of transparency about how the process works exacerbates the problem. Hopefully, for Comic-Con 2017 attendees will know more about how requests are sequenced, when they might be rejected, and how people’s hotel priorities are allocated.

This year’s Comic-Con International: San Diego takes place July 21 through 24, 2016, with a Preview Night on July 30.

Update 2016 April 13:

The SDCC Unofficial Blog has an update that clarifies some of the issues surrounding this year’s Comic-Con hotel sale, with a few technical details that will no doubt be helpful for next year’s Hotelpocalypse: “CCI, onPeak Offer Insight to San Diego Comic-Con General Hotel Sale 2016.”

Update 2016 April 26:

An analysis of the results of this year’s hotel sale based on data supplied to the Friends of Comic-Con forum provides additional insight into how the process worked: “SDCC 2016 Post Hotel Lottery, a Statistical Analysis.”

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New York Comic Con 2015: Recap and Photo Highlights


The growing enthusiasm for all things pop culture was on display once again this past weekend at New York Comic Con. The sold-out event, run by the ReedPop unit of Reed Exhibitions, a division of RELX Group (formerly Reed Elsevier), drew its largest crowd ever. The event reported an all-time high attendance of 167,000, up from last year’s high of 151,000.

Bigger than Big?

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

This year’s New York Comic Con marked a new attendance record.

Comparisons with other comic cons is difficult, however, due to the lack of a standard method of reporting attendance figures. New York Comic Con apparently tallies the number of people who attend each day to generate their total attendance figure. Comic Con International’s San Diego Comic-Con, on the other hand, reportedly counts each attendee only once, regardless of how many days the person attends. In other words, someone with a four-day badge, who attends all four days, would be counted four times in New York’s tally, but only once in San Diego’s. Thus, although San Diego Comic-Con reports a smaller attendance number of roughly 130,000, the West Coast event likely remains the largest popular culture convention in the U.S.

New York Comic Con is clearly growing, however, this year expanding to an additional venue beyond the Javits Center, adding the 2,200 seat Hammerstein Ballroom for panel sessions.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

The Main Stage wristband line.

The size of the convention was also apparent from the length of the lines at the event. On Saturday morning before the Javits Center opened, the line to enter the building started at 11th Avenue and 38th Street, stretched two blocks up to 40th Street, turned the corner to follow 40th Street down the long crosstown block to 12th Avenue, and then turned down 12th Ave to extend six more blocks down to 34th Street — a total distance of roughly 0.6 miles. Unlike San Diego Comic-Con, which provides different lines for the Hall H and everything else, at New York Comic Con there is initially one line outside the building for everything. When the convention center opened, the line moved briskly, despite the requirement to check bags and scan the RFID chip in each badge. Once inside, the line splits into one for the exhibition hall (or anywhere other than the Main Stage) and multiple separate lines to get a wristband for one of the day’s panels on the Main Stage.

As first implemented last year, the Main Stage auditorium at New York Comic Con is cleared between each panel. This differs from the halls at San Diego Comic-Con (or any of the other rooms at New York Comic Con) which allow audience members to stay for multiple panels. As discussed last year when this policy was first introduced [see “New York Comic Con 2014: Bigger and Better“], this approach is a mixed blessing. While it makes it easier to gain access to the one major panel of your choice, it’s nearly impossible to see any of the other Main Stage panels that day. By contrast, at San Diego Comic-Con gaining entry to Hall H often requires camping out in line for many hours but, once in the room, fans can stay throughout the entire day’s programming. The process at New York Comic Con also means less programming in total, since the scheme requires 45 minutes between panels to clear the room, in contrast to only 15 minutes between most of San Diego’s panel sessions.

Beyond the scale of the event, however, the range and the quality of programming at ReedPop’s New York Comic Con continue to secure the event’s position as the premiere East Coast pop culture event.

Marketing Mania

Marketing is a major thrust of all comic cons — from the presentations by television studios to the vendor booths throughout the exhibition hall, and comic cons often feature creative approaches to advertising to the pop culture crowd.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Jessica Jones marketing: sidewalk graffiti.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Mock ads for Nelson and Murdock, Attorneys at Law.

Marvel Television had a significant presence at New York Comic Con this year, with major presentations on their Netflix series Daredevil and Jessica Jones. (More on these below.) These Marvel properties also presented clever viral marketing campaigns outside the walls of the Javits Center. Spray-painted in the style of street art graffiti on the sidewalks around the convention center were messages using the #JessicaJones hashtag along with statements such as “I know your secrets.” (As clever as this is, one wonders about the legality of this defacement of public property.) Elsewhere around the arena were mock ads for the legal services of Nelson and Murdock, the attorneys in Marvel’s Daredevil.

A few years ago it was noteworthy to see companies outside the realm of pop culture exhibiting at a comic con. [See, from 2012: ‘Consumer Brands Go Geek at Comic Con” and, from 2013: “Philadelphia Comic Con: Batman, Buffy and … Bath Fitter?“] No longer. It is now common practice at many of the large, for-profit conventions, such as those run my ReedPop and WizardWorld, to include vendors unrelated to pop culture hawking their products to the comic con crowd. As in past years, Chevrolet was a partner sponsor of this year’s New York Comic Con. Other partner sponsors this year included such wide ranging brands as Honey Nut Cheerios, Courtyard Marriott, and Jelly Belly Candy Company.

Progressive insurance "Protector-corn."

Progressive insurance “Protector-corn.”

One vendor embracing the spirit of con culture was Progressive. The insurance company provided lockers where fans could temporarily store their loot and a charging hub for mobile devices in need of power. More bizarre were the “Protector-corns” — workers dressed as a mashup of company spokesperson Flo and a unicorn — who provided “line insurance” by holding attendees’ places in line while they grabbed food or took a restroom break.


Programming Sessions

While New York Comic Con offers a full array of programming sessions on comic books, games, movies, and cosplay, the event is particularly strong in the depth of its presentations on television programming.

The Librarians and Felicia Day

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

The Librarians panel.

On Friday, the cast and crew of the TNT series The Librarians discussed what to expect in the new season. The panel included actors John Larroquette, Christian Kane, John Kim, Lindy Booth, and Rebecca Romijn, along with Executive Producer Dean Devlin. Following this panel, actor Jeff Hephner showed an extended clip of his upcoming TNT series, Agent X, co-starring Sharon Stone.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Felicia Day.

Following the TNT panels, actor, producer, and writer Felicia Day arrived on the Empire Stage. Fresh off the book tour for her memoir, You’re Never Weird on the Internet (Almost), Day participated in an hour-long audience question and answer session.


Limitless, Colony, and Mr. Robot

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Jake McDorman and Jennifer Carpenter on the Limitless panel.

Later on Friday afternoon, as part of the CBS TV Studios session, the Hammerstein Ballroom hosted a Limitless panel with actors Jake McDorman and Jennifer Carpenter, and Executive Producer Craig Sweeny.


Following the CBS presentations, the Hammerstein Ballroom featured panels for two USA TV series: Colony, scheduled to debut on January 14, 2016, and Mr. Robot, which recently ended its initial 10-episode season.

Carlton Cuse, Josh Holloway, and Ryan Condal.

Colony: Carlton Cuse, Josh Holloway, and Ryan Condal.

The Colony panel featured series co-creators Carlton Cuse and Ryan Condal, along with lead actor Josh Holloway discussing the forthcoming series about a near future in which the citizens of Los Angeles live under the domination of an occupying force. While audience speculation ran rampant about the nature of the mysterious occupiers, Cuse and Condal remained mum on the details. In addition to a Q and A with the creative team, the pilot episode of Colony was screened in full.

Martin Wallström, Rami Malek, Christian Slater, Carly Chaikin, and Portia Doubleday.

Mr. Robot: Martin Wallström, Rami Malek, Christian Slater, Carly Chaikin, and Portia Doubleday.

Much of the audience in the Hammerstein Ballroom that afternoon appeared to be there to see the Mr. Robot panel, which included actors Rami Malek, Christian Slater, Portia Doubleday, Carly Chaikin, and Martin Wallström, and showrunner Sam Esmail, in conversation with Andy Greenwald. While details about season 2 were scant, Esmail indicated the upcoming episodes would turn very dark. Masks of fsociety, the series’ subversive hacker group, were distributed to the audience at the outset of the panel. Near the end of the session, the cast hopped down from the stage to pose in front of the auditorium full of masked fans and take a few quick selfies with audience members.

Daredevil and Jessica Jones

On Saturday, Marvel Television presented a two-part panel on the Main Stage featuring the company’s Netflix series Daredevil and Jessica Jones.

As Marvel Television head Jeph Loeb walked to the podium to introduce the first of the two panels he stopped and said he wanted to do something unscripted. He then dashed off stage and returned briefly with cast members from both shows — Krysten Ritter (Jessica Jones), Charlie Cox (Daredevil) and Mike Colter (Jessica Jones and Luke Cage) — playfully stating this is the most the audience would presently see of The Defenders, an upcoming Netflix Marvel team-up series featuring those characters.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Daredevil‘s Deborah Ann Woll, Charlie Cox, and Elden Henson.

Loeb returned to the stage to introduce the Daredevil panel, with a full list of cast members from season 2: Charlie Cox, Deborah Ann Woll, Elden Henson, Jon Bernthal, and Elodie Yung, along with season 2 showrunners Douglas Petrie and Marco Ramirez (replacing season 1 showrunner Steven DeKnight), and Marvel Chief Creative Officer Joe Quesada. The panel included a sizzle reel with footage from seasons 1 and 2, including a quick shot of Elodie Yung donning her mask as Elektra that brought cheers from the crowd.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

From Jessica Jones: Jeph Loeb, Krysten Ritter, and Mike Colter.

Following Daredevil, Loeb brought to the stage the cast of Netflix’s next Marvel series, Jessica Jones: actors Krysten Ritter, Mike Colter, Rachael Taylor, Carrie-Anne Moss, Wil Traval, Eka Darville, and Erin Moriarty, and showrunner Melissa Rosenberg.

Missing from the panel was actor David Tennant, who was working in a play in London. Tennant appeared in a brief video segment apologizing for his absence and mentioning that clips from the series would follow. To the initial dismay of the crowd, Loeb explained that Tennant misspoke — they didn’t have clips from Jessica Jones to show. He quickly explained that they didn’t have any clips because they would show, for the first time anywhere, the complete first episode of the series, which elicited an enthusiastic roar from the audience.

Minority Report and DC’s Legends of Tomorrow

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Meagan Good and Stark Sands on the Minority Report panel.

On Sunday, back at the Empire Stage, the Minority Report panel included actors Meagan Good, Wilmer Valderrama, Nick Zano, Stark Sands, Laura Regan, Daniel London, and Li Jun Li.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

DC’s Legends of Tomorrow panel.

As the Minority Report panel ended, it was standing room only as people jammed the room waiting for DC’s Legends of Tomorrow panel with cast members Arthur Darvill, Brandon Routh, and Ciara Renee, and showrunner Phil Klemmer. Given the size of the crowd, the powerhouse programming lineup in this Warner Bros. Television Takeover that began with of DC’s Legends of Tomorrow and included Gotham, Supergirl, Blindspot and Person of Interest would have been better suited for the larger Main Stage.


Creators and Cosplayers

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Comic book artists, writers, and editors.

The Artist Alley at New York Comic Con is one of the best of any pop culture convention. Strolling around the tables of comic book writers, artists, and editors often leads to serendipitous encounters with the men and women who create comic books. Former Marvel Comics Editor-in-Chief Jim Shooter was in attendance for his first comic con in many years. And it was wonderful to see Lumberjanes creators Brooke Allen and Shannon Watters interacting with fans of the critically acclaimed all-ages series. I had conversations with a number of my favorite comic book creators including Empty Zone writer and artist Jason Shawn Alexander, Daredevil artist Lee Weeks, horror illustrator Basil Gogos, Intersect writer and artist Ray Fawkes, The Fifth Beatle author Vivek Tiwary, and many others.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse

Cosplay at New York Comic Con 2015.

Finally, as always, the corridors of he Javits Center were filled with fans in creative costumes of pop culture characters.


For a complete photographic overview of this year’s event, see the Flickr album: New York Comic Con 2015.

New York Comic Con 2015. Photo-by-Kendall-Whitehouse New York Comic Con 2015. Photo-by-Kendall-Whitehouse New York Comic Con 2015. Photo-by-Kendall-Whitehouse New York Comic Con 2015. Photo-by-Kendall-Whitehouse New York Comic Con 2015. Photo-by-Kendall-Whitehouse
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San Diego Comic-Con 2015: Recap and Photo Highlights

San Diego Comic-Con 2015.

This year’s Comic-Con International: San Diego was a mix of the new and the familiar, the wonderful and the weird, the carefully planned and the unexpectedly serendipitous. Here are highlights of Comic-Con 2015 from my perspective.

The Calm before the Con

The hours before badge pick-up on Wednesday afternoon provided the opportunity to stroll around downtown San Diego to get a glimpse at the official Comic-Con banners on the street lamps and peruse the advertising covering the buildings and transportation vehicles throughout the Gaslamp Quarter.


Ads for TBS’ ‘Conan’ show were rampant around town.

As last year, the marketing onslaught started shortly after stepping off the plane. The staircases and baggage carousels at San Diego International Airport were covered with ads for Conan O’Brien’s TBS program Conan. The Conan ads continued in town with banner wraps covering trains, buses, and the upper floors of the Marriott hotel.

The trend of wrapping buildings in large ads seemed to have subsided slightly last year, with no wrap on the prime real estate of the Hilton Bayfront hotel that year. The building wraps were back in force this year, however, with multi-story ads on both the Hilton Bayfront and Marriott Marquis and — for the first time this year — with a pair of banners on the Hilton garage as well. In addition, the usual barrage of building-covering ads appeared throughout the Gaslamp Qaurter and around Petco Park.

As I outline in my Knowledge@Wharton article, the early appearance of these advertising installations triggers a flurry of social media activity that allows brands to tap into the pent-up excitement as fans await the start of Comic-Con. [See “Building Buzz: How Comic-Con Turns Froth into Frenzy” ]


The Art of Comic-Con exhibition featured works from 45 years of San Diego Comic-Con.

This year, the pre-Preview Night afternoon also offered time to explore The Art of Comic-Con exhibit presented by Comic-Con International at the San Diego Central Library. The gallery included illustrations and documents covering 45 years of San Diego Comic-Con as well as Comic-Con International’s sister shows WonderCon and APE (the Alternative Press Expo).

After picking up my badge and connecting with a reporter from NPR to be interviewed for a piece on All Things Considered about immersive marketing [see “Want To Get Inside Your Favorite Show? Go To Comic-Con“], it was time to head the Convention Center to hit the show floor for Preview Night.

Preview Night

Preview Night has become one of my favorite parts of Comic-Con. The lack of competing programming that first evening means you can browse the exhibition hall floor without fretting about all the other activities you’re missing.


Bernie Wrightson and Liz Wrightson on Preview Night

Once again this year, I followed my contrarian strategy for Preview Night. [See “Be a Con-trarian: Go Against the Flow at Comic-Con“] While most of the crowd rushes toward the booths of collectible vendors like Hasbro, Mattel, and Funko, I go against the flow and head over to Artists’ Alley. Comic book creators who would later have long lines of fans looking for autographs or commissioned illustrations were relatively accessible during Preview Night. Artist Bernie Wrightson and his wife, Chip Zdarsky, Stan Sakai and other writers and artists were readily approachable Wednesday evening. When artist Paul Guigan and writer Anina Bennett mentioned this would be the last major con at which would have a table, I took several farewell shots of their booth.


San Diego Comic-Con Unofficial Blog’s Enchantment Under the SDCC party.

While I typically skip the nighttime parties at Comic-Con, on Wednesday evening I had two post-Preview Night events in my calendar: The Enchantment Under the SDCC party from the SDCC Unofficial Blog and the Game of Bloggers Meet Up hosted by Crazy4ComicCon’s Tony B. Kim. Despite a long day, I made it to the former, but only for a brief visit and few quick photos. As much as I wanted to stay longer and to stop by Tony’s meet-up, I wearily headed back to the hotel to get ready for the con to officially begin the next morning.


Panels: From Grant Morrison and Geek & Sundry to Jack Kirby and the Culture of Comic-Con

On Thursday the con begins in earnest. My personal Comic-Con schedule typically lists four or five simultaneous events for any given time slot. The plan is to make on-the-fly judgments about what to attend based on line lengths, expected wait time, and conflicts with other activities.

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Grant Morrison discusses ’18 Days’ and ‘Avatarex’.

Thanks to a fortuitous tweet alerting me to a short line for Thursday’s opening panels at the Hilton Bayfront’s Indigo Ballroom, the day began with Grant Morrison in conversation with Graphic India’s Sharad Devarajan. Morrison discussed 18 Days, his retelling of the central battle from The Mahabharata, and Avatarex, a super-hero series placed in contemporary India. It was interesting to hear Morrison, who once penned one of the darkest Batman tales — Arkham Asylum: A Serious House on Serious Earth — talk about the current need for more optimistic narratives in comic books.


Director Sanjay Patel and producer Nicole Grindle showcase Disney/Pixar’s ‘Sanjay’s Super Team’.

Between Morrison and the later Geek & Sundry panel in the Indigo Ballroom were two additional programming sessions. Director Sanjay Patel and producer Nicole Grindle presented an early screening of Disney/Pixar’s Sanjay’s Super Team, a heartfelt, loosely autobiographical piece based on Patel’s relationship with his father and his Indian heritage. In addition to showing the short film, the presentation included a touching clip of Patel showing the film to his father. The panel was a surprise highlight of the day.


Voice Over Celebration with Beloved Cartoon, Video Game, and Film VO Actors.

Following this, the panel on Voice Over Celebration with Beloved Cartoon, Video Game, and Film VO Actors included moderator Genese Davis speaking with actors Anthony Bowling, Susan Eisenberg, Rob Paulsen, Tara Platt, Caitlin Glass, and Yuri Lowenthal.


Felicia Day is mortified by the antics of Ryon Day and Wil Wheaton.

Next up in the Indigo Ballroom was the Geek & Sundry panel with Felicia Day, her brother Ryon Day, Wil Wheaton, and Geek & Sundry performers Laura Bailey, Matthew Mercer, Jessica Marzipan, and Hector Navarro. It was a rollicking session with Ryon Day and Wil Wheaton going out of their way to repeatedly embarrass Felicia Day.


The other days of Comic-Con included an eclectic mix of panels —


Scott McCloud.

The Spotlight on Scott McCloud featured McCloud interviewed by Gene Luen Yang.


Marvel: Secret Wars.

The Marvel: Secret Wars panel included Marvel executive editor Tom Brevoort, writers Jonathan Hickman and Charles Soule, and others of the creative team.


Geoff Johns in conversation with Dan DiDio.

DC Entertainment: One-on-One with Geoff Johns featured Johns in conversation with Dan DiDio.


Trina Robbins, Nicky Wheeler-Nicholson, and Ramona Fradon discuss Women Artists in Comics During WWII.

Hermes Press: A Celebration of Women Artists in Comics During WWII, moderated by Daniel Herman, included a lively conversation among Trina Robbins, Maggie Thompson, Ramona Fradon, and Nicky Wheeler-Nicholson.


Twisted Roots of the Comics Industry with Danny Fingeroth, Nicky Wheeler-Nicholson, Gerard Jones, Michael Uslan, and Brad Ricca.

Nicky Wheeler-Nicholson had to leave the Women Artists During WWII panel early to participate in Twisted Roots of the Comics Industry which overlapped the earlier panel by 30 minutes. The Twisted Roots of the Comics Industry panel also featured Michael Uslan, Danny Fingeroth, Gerard Jones, and Brad Ricca.


The Seven Comic Shop Archetypes: Who Will Triumph, Thrive, and Survive.

The Seven Comic Shop Archetypes: Who Will Triumph, Thrive, and Survive moderated by Ed Catto, featured Christina Blanch, Glynnes Pruett, Joe Field, and Atom! Freeman outlining what it takes to be successful as a comics retailer.


The Annual Jack Kirby Tribute Panel.

The Annual Jack Kirby Tribute Panel was, as always, hosted by Mark Evanier, and this year included J. David Spurlock, Marv Wolfman, Rob Liefeld, and Paul S. Levine discussing the work of the late Jack Kirby.


The Culture of Comic-Con: Field Studies of Fans and Marketing.

In the Comics Arts Conference session, The Culture of Comic-Con: Field Studies of Fans and Marketing, a panel of college students discussed their analyses of different aspects of popular culture as evidenced at Comic-Con.


Pics or It Didn’t Happen

Photography is a major focus of mine at Comic-Con, not only for my work for Knowledge@Wharton but, as well, for my roles as Convention Photographer for Comic Book Creator and ACE (All Comics Created) magazines, and as contributing photographer for the annual Bleeding Cool Power 100 List.

Peter Bagge at San Diego Comic-Con 2015. Photo by Kendall Whitehouse

Peter Bagge posing for ‘Comic Book Creator’.

On Thursday, I connected with editor Jon B. Cooke for a photo shoot with cartoonist Peter Bagge for an upcoming issue of Comic Book Creator. That evening I worked the red carpet at the Fandango Movieclips party to capture the arrival of celebrities including Heather Graham, Laura Vandervoort, Holland Roden, Naomi Grossman, and Best Coast’s Bethany Cosentino.


The ‘Agent Carter’ flash mob greets Hayley Atwell.

On Saturday, I helped photograph the Agent Carter flash mob that convened in the lobby of the Convention Center and, in a pre-arranged scheme, paraded to the Marvel booth to meet Agent Carter lead actress Haley Atwell.


Comic book artists, writers, and producers.

Throughout Comic-Con, photographing the men and women who write, illustrate, and produce comic books was a major focus of my activity.


Creative cosplay.

And, of course, grabbing shots of creative cosplay is always fun. Among my favorite costumes this year was a flawless implementation of Steve Ditko’s Mysterio from The Amazing Spider-Man #13. Also intriguing were the time- and gender-shifted Rococo X-Women.


The Eisner Awards Ceremony


The Will Eisner Comic Industry Awards Ceremony.

The Will Eisner Comic Industry Awards Ceremony is always a highlight of my Comic-Con experience, and this year was particularly noteworthy. Comic Book Creator, a publication for which I serve as Convention Photographer, was nominated for Best Comics-Related Periodical/Journalism. (The Eisner went to the well-deserving Comics Alliance.)

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The 2015 Eisner Award winners.

Philadelphia comic shop and publisher Locust Moon was nominated in two categories — Best Anthology and Best Publication Design — for Little Nemo: Dream Another Dream, and was awarded the Eisner for both.

In addition to the celebrity introductions and the always entertaining antics of Jonathan Ross, the main focus of the evening is on recognizing the work of those who create comic books. Seeing Shannon Watters and Noelle Stevenson accepting multiple awards for Lumberjanes was one of several high points of the evening.


Planned Activities and Random Encounters on the Show Floor

Signings in the vendor booths on the show floor provide ideal opportunities to capture portraits of key comic book creators. This year, I snapped portraits of Grant Morrison in the Legendary booth, and Joss Whedon and Chuck Palahniuk in the Dark Horse booth.


Todd McFarlane poses with Spider-Kids.

There’s typically a point during Comic-Con at which I decide to ignore my carefully-planned schedule and just wander the exhibition hall floor. This frequently elicits several unexpected and serendipitous encounters.

Where else but Comic-Con would you find Todd McFarlane greeting fans and striking web-shooting poses with young kids dressed as Spider-Man and Spider-Gwen?


Jonathan Ross (right) with Carlos Ezquerra (left).

Comic book creators are also fans, and it’s wonderful to run across industry notables greeting each other, such as Scott Snyder chatting with Paul Azaceta, Todd McFarlane hanging out with Marc Silvestri, and Jonathan Ross excited to meet Carlos Ezquerra.


Strolling across the show floor I also ran into Marvel’s head of television Jeph Loeb , which provided the opportunity to tell him how much I loved his 1998 series, Superman for All Seasons.

Talking Back and Heading Home

My last session at Comic-Con each year is the annual Talk Back session, during which Comic Con International President John Rogers sits alone at long table and listens to a long line of attendees with comments, complaints, and suggestions about Comic-Con.


Fans leave the Convention Center as SDCC 2015 ends.

This year’s Talk Back was relatively subdued. The long lines to access Hall H, the event’s largest venue where many of the high-profile Hollywood presentations take place, are a recurring topic during each year’s Talk Back. There was little mention, however, of this year’s most significant logistical change — the introduction of the “next day line” for queuing for wristband distribution for Hall H on the subsequent day. By distributing several waves of color-coded Hall H wristbands early in the evening and allowing people to leave the line once they have a wristband (with the ability to rejoin a similarly-banded friend holding their place in line or joining the end of the banded line), the new scheme essentially supplants the previous requirement to camp out all night with extended wait time during the preceding day. Given the lack of attendee commentary on the “next day line” during the Talk Back, expect this practice to continue next year.

Following the final events of the day, fans streamed out of the Convention Center as San Diego Comic-Con 2015 came to an end.


On the televisions in the airport showing CNN: One more ad for ‘Conan’.

At the airport the following morning, the trip ended much like it began, with an advertisement for TBS’s Conan show appearing on the television monitors showing CNN in the airport. “Hope to see you next year!” the ad declared and, indeed, I hope to be back again for another Comic-Con International: San Diego in 2016.



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Be a Con-trarian: Go Against the Flow at Comic-Con


San Diego Comic-Con, the largest popular culture festival in the U.S., is exciting, illuminating, and crowded. Very crowded. And it’s confusing. With so many overlapping events competing for an attendee’s time, planning your schedule and determining the optimal time to queue up for specific events requires the logic of a chess master. [See Knowledge@Wharton, San Diego Comic-Con: Best Laid Plans.]

While there is no corner Comic-Con that isn’t crammed with people, there are benefits to be gained from being a contrarian. Going against the flow can lead to wonderful moments and a less stressful con experience.

Preview Night: More than Exclusives


George R. R. Martin hanging out on Preview Night in 2014.

For folks lucky enough to have a ticket for Preview Night, the evening is typically a mad dash for Comic-Con exclusives. Preview Night lets fans get first dibs on these only-at-Comic-Con action figures and souvenirs from companies like Hasbro, Funko, and Mattel. Yet the full show floor is open that first Wednesday evening. While crowds mob the vendor booths, the comic book creators in Artists’ Alley and the booths of many publishers are relatively quiet Wednesday night.

Last year I strolled past the Avatar Press booth to find George R. R. Martin quietly chatting with at fan. I walked right up, asked for a photo, and had a brief chat with famed Game of Thrones author. During the rest of Comic-Con, autograph sessions with Martin required waiting in a long line. Over in Artists’ Alley, creative couple Jimmy Palmiotti and Amanda Conner were goofing around and greeting fans who wandered over to the far end of the hall that houses Artists’ Alley. Many comic book creators were more relaxed and accessible during Preview Night than at any other time during the con.

Every Day is a Big Day in Hall H (and Elsewhere)

Friday and Saturday typically feature the most popular panels in Comic-Con’s infamous Hall H. Access to these events involves camping out for most of the night in order to secure a seat in the cavernous auditorium.

However, in recent years, after the morning crush for the best seats, Thursday has been a relatively easy “walk in” day in Hall H. You still needed to get in line and wind your way through the entry chutes under the tents, but by midday the line flows freely, providing access to the vaunted Hall H after only a short wait.

And while the Friday and Saturday panels feature the most popular panels, the Thursday and Sunday events are nevertheless always noteworthy.


Even on a relatively “slow” day, Hall H has much to offer. Harrison Ford waves hello at SDCC 2013.

At the 2013 San Diego Comic-Con, Thursday included Harrison Ford on the Ender’s Game panel along with stars Asa Butterfield and Hailee Steinfeld, writer/director Gavin Hood, and producer Roberto Orci. The day also included the Europa Report panel; “The Visionaries” session with Alfonso Cuarón, Marc Webb, and Edgar Wright; the Divergent panel with series novelist Veronica Roth, director Neil Burger, and many of the film’s actors including Shailene Woodley, Theo James, and Maggie Q.

In 2014, Thursday saw the first Comic-Con appearance of director Christopher Nolan for the Insterstellar segment of the Paramount Studios presentation, which also featured actor Matthew McConaughey. Both were a surprise — neither was mentioned in the Comic-Con Program Guide — and access to the hall was relatively easy that day.

Panels like these would be highlights at any other fan fest. Only at San Diego Comic-Con do sessions of this magnitude pale by comparison to the even bigger studio events on Friday and Saturday.

Although Hall H typically hosts the most high-profile events of the con, don’t judge the quality of a panel by the size of its venue. Outside of Hall H and Ballroom 20 are many fascinating presentations. The smaller room may mean a long line (or even the need to attend the preceding panel in order to get a seat), but these sacrifices are minor in comparison to camping on the grass all night to gain entrance to Hall H. And these smaller panels often bring great guests and compelling conversations. [See Comic-Con Movies: From Tentpole to Shoestring.]

Beyond the Convention Center: Offsites

As the crowds flood into the San Diego Convention Center, other events around town provide often less-crowded alternatives as well as viable options for days for which you don’t have a ticket for Comic-Con.


Felicia Day greets fans at the Geek & Sundry offsite event in 2014.

As a fan of the work of Felicia Day and the team at Geek & Sundry, I typically stop by the offsite event for the annual meet-and-greet and autograph signing with Day. NerdHQ provides a full range of programming with each event ticketed separately in an intimate venue. The Petco Park Interactive Zone is filled with fun activities, such as last year’s Sleepy Hollow virtual reality experience. This year the San Diego Public Library presents an exhibition on The Art of Comic-Con. Other engaging marketing activities for movies and television programs are sprinkled throughout San Diego’s Gaslamp Quarter. [For a comprehensive look at offsite events at this year’s San Diego Comic-Con, see the calendar at on the SDCC Unofficial Blog: http://sdccblog.com/events/2015-07/

Finally, don’t be afraid to abandon your carefully planned schedule and just wander around. Peruse the show floor, check out the cosplay in the Sails Pavilion (where the bright but diffuse sunlight makes for great photos), or stroll the activities and exhibits on the lawns adjacent to the Convention Center.

By resisting the gravitational pull of the most popular events, by not following the crowd and going your own way to smaller, equally interesting events, you can have a fun and less stressful Comic-Con.


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‘Apparition’: Haunted Guilt

Jody Quigley and Katrina Law in 'Apparition'.

Several compelling horror films — from Robert Wise’s classic The Haunting to Jennifer Kent’s terrifying The Babadook — skate along an ambiguous boundary between psychological disintegration and truly supernatural horror. Apparition also explores this territory, with mixed success.

Directed by Quinn Saunders from a script by Pete Cafaro and Andrew Kayros, Apparition is a portrayal of the ravages of grief and guilt in the guise of a haunted house thriller. Structured around a clever narrative conceit that unfolds in the film’s final act, the story’s impact is muted by pacing and focus problems during much of the picture’s 100-minute running time. After a well-paced exposition in the first act, the long middle section meanders. The film then moves too hurriedly through the important final scenes that lead to the film’s climax.

A spooky opening — which literally begins on a dark and stormy night — establishes the film’s unsettling tone. Doug (Jody Quigley) and Lori (Katrina Law) are in love, engaged to be married, and planning to restore an old country farmhouse together. The appearance of Lori’s ex-lover at the couple’s engagement party triggers an angry response from Doug and leads to a tragic accident that takes Lori’s life. Consumed by grief, Doug vows to complete the couple’s planned work on the farmhouse as a way to assuage his guilt and pay homage to his lost love.

But the house is more than just a major rehabilitation project. It is also a place of past horrors.

We learn of the house’s history from that most hoary of horror movie tropes: the crazy old man at the bar who prophetically warns of the house’s evil. Fortunately, Thomas Roy’s juicy performance as Woody brings the right mix of creepiness and world-weariness to make the scene work.

Doug obsessively works alone in the house during the film’s second act. His mental state slowly deteriorates and he begins to sense a malevolent presence in the building. As he becomes more isolated, the house’s shadowy apparitions become more concrete, changing from a vague presence to a manifest appearance of his deceased fiancée that lets Doug regain a fantasy relationship with his former love.

While the film works well when portraying these phantasms of Doug’s ebbing sanity, the more supernatural expressions of the house’s evil history are less successful. We learn from creepy curmudgeon Woody that the house’s history includes not one, but two previous incidents of carnage, when one would have sufficed to support the movie’s plot. After Doug encounters a frightening specter from the house’s past, he starts awake to realize it was only a dream. While this provides a convenient jolt during the film’s lengthy middle section, it’s a technique that is not only overly used in the horror genre, it’s overly used in this film — occurring no less than three times.

Early in the film, Doug meets Jamie (Lili Bordán), an attractive neighbor in need of someone who knows how to change a tire, a role which Doug gladly fulfills. Jamie comes to the fore in the movie’s third act, offering Doug the opportunity for healing and redemption. Jamie has a history of relationships with damaged men, and Doug certainly fits that bill. Initially rejecting her overtures, Doug struggles with separating from his attachment with the phantasm of Lori to embrace Jamie’s affections.

While the movie’s middle section goes on for too long, the third act seems rushed. Accepting Doug’s growing closeness to Jamie is critical to the film’s denouement. Allowing the audience to become more deeply immersed in Doug’s apparent rehabilitation would have heightened the impact of the film’s conclusion.

Despite a clever narrative turn at the end and some effective creepiness, Apparition fails to escape the shackles of a routine horror film.

See a photo gallery of the premiere of Apparition at the County Theater in Doylestown, PA:

'Apparition' Premiere. Photos by Kendall Whitehouse

The image from Apparition is from a copyrighted film, the copyright for which is most likely owned by the film’s production company and/or distributor and possibly also by any actors appearing in the image. It is believed that the use of a web-resolution screenshot for identification and critical commentary on the film and its contents qualifies as fair use under United States copyright law.

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Special Edition NYC 2015

Special Edition: NYC 2015.

ReedPop’s Spring Counterpart to New York Comic Con

If the current mania for pop culture is poised to plateau, there was no sign of it at this past weekend’s Special Edition: NYC.


The waiting to enter Special Edition: NYC 2015 on a rainy Saturday morning.

On the first drizzly morning of the two-day event, the line to enter the comic book convention stretched far beyond the entrance at New York’s Pier 94, extending from 52nd street up to 58th street, wrapping under the Joe DiMaggio Highway, and heading back downtown again. Event hawkers were handing out flyers for other comics conventions, including upcoming events in New Jersey, New York, and Connecticut. Once inside the venue for Special Edition: NYC, many fans spent much the morning waiting in line once again, this time to purchase tickets for ReedPop’s fall event, New York Comic Con.

One week after the ReedPop division of Reed Elsevier brought the second annual BookCon to New York, the company hosted Special Edition: NYC, also in its second year. ReedPop, which hosts several large pop culture conventions including New York Comic Con and Chicago’s C2E2, launched Special Edition: NYC last year as a comics-focused festival in the spring to complement the company’s larger New York Comic Con in the fall.

Speciall Edition: NYC - Comics Creators.

Comic book creators in Artist Alley at Special Edition: NYC 2015.

In its inaugural year, Special Edition: NYC was held in the Jacob Javits Center. This year the event moved further uptown to Pier 94. The location provided room for additional vendors of comic books and pop culture paraphernalia in addition to the extensive Artist Alley of comic book creators and two tracks of panel discussions. The expansion gave the event more of the vibe of a full-fledged Comic Con, while keeping the focus squarely on comic books rather than the larger universe of pop culture media.

The new venue presented a number of challenges. The two programming sessions were in curtained-off sections of the pier’s large, open venue. Sound leakage between the concurrent events was frequently distracting. The dim, diffuse lighting made photography more difficult than in the brightly illuminated north hall of the Javits Center that hosted the Artist Alley last year. Restrooms were in short supply, with long lines waiting for access.

As with last year, the centerpiece of Special Edition: NYC was Artist Alley where comic book creators met with fans, signed autographs, and sketched illustrations. A long, serpentine line waited to meet acclaimed writer Brian Bendis. Other noteworthy comics creators included Uncanny X-Men writer Chris Claremont, longtime comics artist Ken Bald, Batman: Eternal and Intersect artist/author Ray Fawkes, cartoonist and My Little Pony: Friendship is Magic writer Katie Cook, and many others.


After the morning rain, the area outside Pier 94 served as a stage for cosplayers.

This year’s event also attracted a number of cosplayers. Once the morning’s rain receded, the open space in front of the pier provided a convenient stage for costumed fans to pose and photographers to capture the moment.


For a photo overview of this year’s event, see the Flickr album, Special Edition: NYC 2015.

Special Edition: NYC 2015.

Photo album: Special Edition: NYC 2015. [Click to view]

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BookCon: It’s Like Comic Con for Book Lovers

BookCon 2015

ReedPop’s BookCon 2015 Returns to the Javits Center

This past weekend the second annual BookCon, a conference and exhibition for book lovers, was held at the Jacob Javits Center in New York. The two-day event followed three days of Book Expo America, otherwise known as BEA, a long-running event for publishing industry insiders. Last year the ReedPop division of Reed Elsevier introduced BookCon as a consumer-focused addition to BEA.

ReedPop hosts several major comic book and pop culture conventions including New York Comic Con and the Chicago Comic and Entertainment Expo (universally known as C2E2). Much of BookCon would seem familiar to anyone who has attended these Comic Cons. Like most Comic Cons, BookCon includes presentations and panel sessions, an exhibition floor filled with vendor booths, and autograph sessions giving fans the opportunity to meet their favorite writers.


Comic books at BookCon.

In some instances, the parallels to Comic Con go even deeper. In addition to publishers of conventional books, the exhibition floor at BookCon featured a number of comic book publishers including Image Comics and IDW Publishing. With graphic novels providing a profitable niche for many bookstores, comics-related content was also conspicuous in the booths of some book publishers. Hachette, which distributes a number of Marvel Comics omnibus editions, gave away copies of Marvel’s Star Wars comic book — copies of which could also be picked up in the Disney booth.

Giveaways are a noteworthy feature of BookCon. Many publishers provided hardcover copies of new or forthcoming book titles, which can quickly accumulate to become a heavy load. Fortunately, many vendors also provided hefty cloth book bags for carrying weighty swag.

The BookCon exhibition hall was scaled down from the larger BEA exhibition, with workers dismantling booths from the previous day’s BEA exhibition visible through the partitions at the Javits Center.

While the show floor was generally bustling and the lines for presentations and autographs from popular writers were long, the event exhibited nothing of the sardine-like crowding of the New York or San Diego Comic Cons.


Mindy Kaling in conversation with B.J. Novak.

As with Comic Con, Hollywood celebrities were also present, although in this case the TV and movies stars are also book authors. On Saturday, Mindy Kaling was interviewed by fellow cast member from The Office and writer B. J. Novak. While Kaling was in attendance to promote her upcoming book, “Why Not Me?”, the conversation and audience Q&A session covered her entire career as an actor, television writer, and author.


Felicia Day discusses “You’re Never Weird on the Internet (Almost).”

Comic Con fan favorite Felicia Day was also a featured guest at BookCon. In conversation with The Mary Sue editor-in-chief Jill Pantozzi, Day discussed her forthcoming book “You’re Never Weird On the Internet (Almost)” and answered questions from audience members.

Novelist and comic book writer Brad Meltzer signed free copies of his upcoming thriller “The President’s Shadow.” I used the opportunity to briefly discuss his 2004 DC comic book series Identity Crisis. I mentioned that, while I liked the book, I know Meltzer received criticism over the book’s dark tone and killing off of characters beloved by some. As Meltzer noted, however, narratives need to have consequences for the stories to matter.

As pop culture becomes increasingly mainstream and comic book characters appear in everything from movies and TV shows to graphic novels, events like BookCon offer much for those who love both books and comics.

For the full gallery of photos from this year’s BookCon, see the Flickr photo album: BookCon 2015.

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Wizard World Philadelphia Comic Con 2015: Recap and Photo Highlights

Wizard World Philly Comic Con 2015.

Wizard World, which hosts more than two dozen comic cons around the U.S. each year, returned to the Philadelphia Convention Center this past weekend with Philadelphia’s largest pop culture convention.

Wizard World doesn’t provide specific attendance numbers other than to say that Philadelphia Comic Con attendance was in the “tens of thousands,” positioning the event in the mid-range between large-scale mega-cons like Comic-Con International’s San Diego Comic-Con and ReedPop’s New York Comic Con, and the smaller, local events held throughout the U.S.


Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Wizard World CEO John Macaluso welcomes fans.

On Thursday afternoon, fans queued up in their respective lines — upstairs in the Convention Center hallway for those who purchased “VIP” badges, and downstairs in a less glamorous room for regular attendees. The opening of the exhibition hall floor was delayed roughly 20 minutes while attendees and Wizard World staff waited for Convention Center workers to remove a single remaining pallet from somewhere on the show floor. Once given the “all clear,” Wizard World CEO John Macaluso waved the line in and greeted the arriving fans.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Lou Ferrigno cuts the ribbon to start the show.

A ribbon cutting ceremony officially opened the show. After remarks by actor Lou Ferrigno and CEO Macaluso, Ferrigno along with Michael Rooker, an actor portraying Benjamin Franklin, Philadelphia Eagles’ mascot Swoop, and members of the Eagles cheerleading squad, cut the ribbon to officially begin the festivities — although many fans were already excitedly roaming throughout the large showroom looking for pop culture tchotchkes, comic books, and autographs.

The Exhibition Hall: Vendors, Games, and Comics Creators

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

LEGO Minifigures. (Only Antman is to actual scale.)

The exhibition hall floor included a large array of vendors selling pop culture products, from full-sized light sabers to tiny LEGO Minifigures of superheroes. The show floor was filled with booths offering back issues of comic books, pop culture T-shirts, and superhero action figures.

There were also a number of clever and quirky items for fans to admire or acquire. The Ink Whiskey booth was selling a flask in the form of a video game cartridge to hold your choice of imbibable liquid. Pop culture clothier Little Petal featured convertible dresses that echo the color schemes of well-known superhero costumes. Patents-R-Us.com offered reproductions of historical patent applications ranging from early Walt Disney drawings of Mickey Mouse to sketches of a scale model of Star Trek’s USS Enterprise. The Metalsouls booth featured handcrafted metal sculptures of the Alien Xenomorph,  Terminator T-800 Endoskeleton, Predator, and many others.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Having trouble seeing all the pop culture goodness? Perhaps eye surgery will help.

As in previous years, there was also a contingent of seemingly unrelated products looking to ride the wave of the pop culture zeitgeist. This year’s anomalous vendor booths hawked products such as the Lasik Vision Institute eye surgery, Click Heaters heating pads, Big Game Meats‘ assortment of jerky, Bamboo Pillow headrests, 5-hour Energy drink, Power Home Remodeling, and State Farm insurance. Offering floor space to vendors of products unrelated to pop culture is a growing trend at a number of comic cons. [See Knowledge@Wharton, “Consumer Brands Go Geek at Comic Con” and “Philadelphia Comic Con: Batman, Buffy and … Bath Fitter?“] While one can imagine a rationale for featuring 5-hour Energy drink and Click Heaters’ pain relief products at a comic con — it can be a long, grueling day — the relevance of some of the others is less apparent.

Among the most entertaining booths on the exhibition hall floor were the marketing experiences promoting upcoming feature films.

In the booth for Columbia Pictures’ forthcoming film Pixels, a comedy about an alien attack of the earth using video game characters, fans could play some of the classic arcade games that inspired the film, including Pac-Man, Q*bert, Donkey Kong, and Centipede.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Virtual reality lets fans experience Jurassic World.

The ability of virtual reality to create a compelling marketing experience — a trend apparent at last year’s San Diego Comic Con [See Knowledge@Wharton, “Marketing at Comic-Con: Virtual Reality Gets Real“] — was also in evidence at Wizard World Philadelphia. Legendary Pictures and Amblin Entertainment’s Jurassic World provided virtual reality headsets using Samsung’s Gear VR hardware powered by Oculus VR software to let fans briefly immerse themselves in the world of the film.

The exhibition floor was bounded on one end by a gaming pavilion, which allowed fans to compete against each other playing video games. At the other end of the hall were tables with comic book artists and writers, including artists Neal Adams and J. G. Jones, writer/editor Tom DeFalco, and many others.

Programming: Comics, Celebrities, and Filmmaking Auteurs

Programming sessions throughout the four days of the conference covered a broad range of pop culture topics and varied widely in attendance.

As with previous Wizard World events, much of the comic book programming was overseen by comic book writer and historian Danny Fingeroth.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Dave Proch, Chris Stevens, Dean Haspiel and Danny Fingeroth.

Drawing on History, Winsor McCay’s Little Nemo Revisited” had a sparse audience in the unenviable time slot of late in the afternoon of first day of the convention. Danny Fingeroth moderated the session in which Locust Moon Comics producer Chris Stevens and artists Dean Haspiel and Dave Proch presented examples from Locust Moon’s book in celebration of McCay’s work, showing comparisons between McCay’s original pages and the new McCay-inspired artwork in Locust Moon’s recently published volume.

Riding on the wave of popularity of Marvel’s television and film franchises, the room was packed for Friday’s midday session “From Agent Carter to Avengers: Age of Ultron (and Groot!) Marvel Comics at 75” with Danny Fingeroth in conversation with comic book historian Peter Sanderson.

Later on Friday Cartoonist Brad Guigar moderated a “WebComics Roundtable” panel with Dawn Griffin, Lee Cherolis, and Phil Kahn, who discussed techniques for promoting and marketing independently developed online comics.

The most popular programming sessions were the television and movie celebrities that packed the Convention Center’s Terrace Ballroom on Saturday.

The Doctor Who session with David Tennant and Billie Piper and moderated by Blastr editor-at-large Aaron Sagers opened Saturday’s programming with a capacity crowd in the Ballroom.

Sagers also moderated a series of celebrity Q&A sessions throughout the day:

Summer Glau.

Summer Glau. [Click to view photo gallery.]

Actor and Whedonverse fan favorite Summer Glau.


Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Lin Shaye. [Click to view photo gallery.]

Insidious actor Lin Shaye, who received an award from Sagers as “Godmother of Horror.”


Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Ben McKenzie. [Click to view photo gallery.]

Gotham lead actor Ben McKenzie.


Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Hayley Atwell. [Click to view photo gallery.]

Agent Carter lead actor Hayley Atwell, who recently received news that the series had been picked up for a second season.


Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Stephen Amell. [Click to view photo gallery.]

Arrow lead actor Stephen Amell.


In addition to the comic book panel sessions and celebrity talks, the con was framed by talks by two major filmmakers from different generations.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

M. Night Shyamalan. [Click to view photo gallery.]

On Thursday evening, a room full of fans viewed a screening of the pilot episode of the upcoming Fox television series Wayward Pines. Following the screening, Aaron Sagers moderated a Q & A session with the series’ executive producer and director of the pilot episode, M. Night Shyamalan. When one fan commented on the Twin Peaks vibe of the series, Shyamalan acknowledged that Blake Crouch, the author of the original Wayward Pines trilogy, is a fan of David Lynch’s 1990s television series. Shyamalan also expressed his admiration for Lynch, and stated that while writing his current project, he keeps a copy of Lynch’s Blue Velvet close by on his desk for inspiration.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Roger Corman. [Click to view photo gallery.]

Bookending Thursday’s Shyamalan talk, on Saturday evening Roger Corman, in conversation with Modern School of Film founder Robert Milazzo, regaled the audience with stories of his long history directing and producing films. Looking surprisingly spry at 89 years old, Corman recounted anecdotes from several of the roughly 400 films he has produced or directed over his long career. His wife, Julie Corman, was in the audience and added a few details about their most recent project. The session included a trailer for the forthcoming SyFy television feature Sharktopus vs. Whalewolf.

And… Cosplay

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.

Costumed fans. [Click to view photo gallery.]

In addition to the programming sessions and the vendor booths on the show floor, there were, of course, fans dressed in the costumes of their favorite superheroes and pop culture characters. From the simple to the elaborate, the playful to the bizarre, cosplay was visible throughout the Convention Center over the weekend.


For a gallery of over 300 photos from the year’s event, see the Flickr photo album: Wizard World Philadelphia Comic Con 2015.

Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse. Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse. Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse. Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse. Wizard World Philly Comic Con 2015. Photo by Kendall Whitehouse.
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New York Comic Con 2014: Bigger and Better

New York Comic Con

NYCC Features Big Numbers and Big-Name Celebrities

In the nine years of ReedPop’s New York Comic Con, the convention has become a major event in the popular culture landscape, challenging Comic Con International’s San Diego Comic Con as the preeminent pop culture event in the U.S.

Numbers and Numbers: Apples and Oranges

This year New York Comic reached a new attendance record with reported ticket sales of 151,000. This spurred some to speculate that New York Comic Con had exceeded the scale of San Diego Comic Con, which is traditionally recognized as the largest pop culture event in the U.S.

Whatever the actual numbers, New York Comic Con saw large crowds.

Without independent auditing, however, it’s difficult to know what the numbers measure and whether the two totals compare apples to apples. As the noted by the San Diego Comic-Con Unofficial Blog, the New York Times stated New York Comic Con sold 151,000 “tickets,” while Comic Book Resources cited the number as indicating 151,000 “unique individuals.”

A follow-up piece the San Diego Comic-Con Unofficial Blog quotes ReedPOP Senior Global Vice President Lance Fensterman as stating “If someone bought a single day Friday and single day Sunday that would be 2 tickets sold,” implying that the New York Comic Con figure is counting tickets, not individuals. Because of its member ID system, the San Diego event can calculate the number of individuals attending, regardless of the number of tickets sold, making any comparison between the two comic conventions dubious.


Despite its size, New York’s Javits Center is significantly smaller than San Diego’s Convention Center.

Indeed, the sizes of the two venues make it doubtful that New York Comic Con has reached the scale of the San Diego event. As the SDCC Unofficial Blog notes, the San Diego Convention Center occupies 2,600,000 square feet while New York’s Javits Center has only 1,800,000 square feet. In addition, the official activities of the San Diego event spread far beyond the Convention Center, occupying large ballrooms and other areas in the adjacent Hilton and Marriott hotels.

Even if it’s spurious to directly compare the New York number with that of San Diego, presumably ReedPOP is consistent in how it tallies New York sales each year. The growth from last year’s 130,000 tickets to this year’s 151,000 is significant, and is further evidence of the continued growth of pop culture fandom.

Beyond the Numbers

Beyond the raw attendance numbers of a comic con, however, is the quality of the programming content. Most comic conventions that cover film and television include media celebrities. There is, however, a wide range in celebrity participation, not just in the magnitude of the stars, but also in the reasons they attend: Are they at the event to hawk autographs for money or are they brought by studios to promote major media properties? While the latter has always been a hallmark of San Diego Comic Con, this year New York Comic Con featured several high-profile media events.

The Walt Disney Studios’ panel promoted both Big Hero 6 and Tomorrowland. The latter included announced guests director Brad Bird and  screenwriter Damon Lindelof along with a surprise appearance by George Clooney — who visited the event straight from his honeymoon.


The lead actors in Marvel’s Daredevil: Charlie Cox, Vincent D’Onofrio, and Deborah Ann Woll.

Michael Keaton and Edward Norton were on hand to promote Alejandro González Iñárritu’s upcoming film Birdman, about a fading superhero movie actor. Marvel’s Daredevil, the forthcoming Netflix series, announced new cast members, showed the first clips from the series, and brought lots of star power. The FX Networks series The Americans also brought several noteworthy cast members. And the powerhouse AMC TV series The Walking Dead made a return visit to NYCC with a raft of that program’s stars.

This is A-level talent and far removed from minor celebrities hawking autographs for $20 to $80 a pop. The fact that production companies now see New York Comic Con as a platform for major announcements and cast appearances may be more significant than the attendance numbers. These are the hallmarks of an influential pop culture event.


On the show floor are a few vendors with a tenuous connection to popular culture themes.

Of course, New York Comic Con still has many paid autograph events with lines of fans waiting for a signature or a photo op with a celebrity. And, as in past years, there was a smattering of vendors unrelated to the general themes of pop culture. Chevrolet returned to New York Comic Con as a partner-level sponsor with multiple presences at the show. And GEICO, fresh from their appearance at Baltimore Comic Con, occupied a large booth in the exhibition hall. While the GEICO Gecko added a touch of cosplay, any other relationship with pop culture was illusive.

Recent years have seen an increased presence of vendors looking to leverage pop culture fandom to promote unrelated products and services at a number of major comic cons, including New York Comic Con and the Wizard World cons. (See “Philadelphia Comic Con: Batman, Buffy and … Bath Fitter?” and “Consumer Brands Go Geek at Comic Con.”) San Diego Comic-Con, run by the non-profit Comic Con International, remains relatively free of such tangential marketing, at least in the space held by the con proper. (Although the rest of San Diego’s Gaslamp Quarter is awash in advertising all sorts.)

 Wristbands and Room Clearing

As the major comic cons struggle to accommodate their expanding audience, they are forced to explore new methods to manage the crowds.

This past year, in an attempt to curb line-cutting, San Diego Comic-Con distributed wristbands to those waiting to enter the Convention Center’s large Hall H. New York Comic Con followed suit this year with a wristband strategy, but went one step further. Unlike San Diego’s Hall H, which allows audience members to stay in the auditorium as long as they would like, the Javits Center’s Main Stage was cleared between each panel.

In general, fans seemed pleased with this approach. The SDCC Unofficial Blog has a summary of selected opinions pro and con. (See: “New York Comic Con: New Main Stage Wristband Policy Draws Both Fans & Critics.”)

The wristband line for Marvel’s Daredevil.

On Saturday, I targeted the Marvel’s Daredevil panel, and arrived in the wristband line roughly 15 minutes before the scheduled distribution time of 10:00 AM. The bands were given out sequentially for each of day’s lines, with the Daredevil line near the end, resulting for an hour wait to receive the band. I then arrived in the queue to enter the Main Stage about an hour before the session was scheduled to begin. I gained entry without a problem, although on entering the auditorium, the only seats available were in the rear of the room.

I thus experienced roughly a two-hour wait to see a single panel, but was unable to view any of the other sessions in on the Main Stage that day. Whether or not this is a good bargain depends largely on the breadth of your interest in the content across the day (and, of course, your willingness to tolerate long times waiting in line).

A key question is whether San Diego Comic-Con will follow suit and clear Hall H between panels. The issue is often raised in the Comic Con Talkback session that concludes each San Diego event.

Clearing the room solves the problem of people camping out in the auditorium waiting for a particular panel they want to see and, in doing so, occupying seats for earlier panels they are less interested in, taking seats away from fans who weren’t able to get in.

San Diego Comic Con’s John Rogers explains the downside of room clearing: fewer panels.

When the issue has been raised in the San Diego Talkback sessions, Comic Con International president John Rogers has pointed out that the disadvantage of this approach is it would reduce the number of sessions that could be held each day.

Indeed, New York Comic Con allowed an hour to clear to the auditorium in between most of the sessions on the Main Stage. By contrast, the Empire Stage, which was not cleared between sessions, scheduled sessions with only a 15-minute interval in between. On Saturday the Main Stage featured four panels and a concluding cosplay contest and Cirque du Soleil performance, while the Empire Stage offered eight hour-long panels.

Given the relative size of the two auditoria — San Diego’s Hall H is more than double the size of New York’s Main Stage — it would be difficult to imagine clearing and refilling the San Diego auditorium in less 90 minutes. This would, as Comic Con International’s Rogers predicts, nearly halve the amount of available content in the room.

Panels and People

At last year’s New York Comic Con, I skipped the panel sessions to focus on Artist Alley and the exhibition hall. This year, I was back in the panel rooms for presentations covering both entertainment and comic books.

On the entertainment side were the following sessions (click on the thumbnail images to view photo galleries of each):

The cast of Marvel’s Daredevil.

Head of Television Jeph Loeb unveiled new details of Marvel’s Daredevil, the first of five series from the company to be available exclusively on Netflix. In addition to cast members Charlie Cox as the lead character, Vincent D’Onofrio as Wilson Fisk (a.k.a. Kingpin), and Deborah Ann Woll as Karen Page, the panel introduced new cast members Ayelet Zurer as Vanessa Marianna, Vondie Curtis-Hall as Ben Urich, Bob Gunton as Leland “The Owl” Owlsley, and Toby Leonard Moore as Wesley. Series showrunner Steven S. DeKnight completed the panel line up. The session also included the first clips from the show, which is placed in New York’s Hell’s Kitchen, a location only blocks from the convention center that hosted the panel.


The cast and producers of The Americans pose in their “Commie Con” T-shirts.

The panel for FX Network’s The Americans featured Producers Joe Weisberg and Joel Fields along with cast members Keri Russell, Matthew Rhys, Noah Emmerich, and Annet Mahendru, moderated by Andy Greenwald. The entire team was sporting their “Commie Con” T-shirts for the event.


Head of Television Jeph Loeb presents previews of upcoming Marvel Animation features.

In the “Marvel Animation Presents” session Head of Television Jeph Loeb showed previews of Marvel’s Hulk and the Agents of S.M.A.S.H. and other Marvel Animation titles.


Yoshiki and the members of X Japan give a shout out to their fans.

In the Yoshiki panel the leader of X Japan and the rest of the band answered questions from their fan base a day prior to their concert performance in Madison Square Garden.


The comic book panels included the following:

The “Marvel: House of Ideas Digital Panel.”

The “Marvel: House of Ideas Digital Panel” moderated by Marvel Digital Media Executive Editorial Director Ryan Penagos (a.k.a. Agent M) featured Axel Alonso, Ben Morse, Daniele Campbell, Sam Humphries, Tatiana Nahai, and C.B. Cebulski.


The “Vertigo: Defy Conventions” panel.

In the “Vertigo: Defy Conventions” panel moderator John Cunningham spoke with Shelly Bond, Rafael Albuquerque, Scott Snyder, Meghan Hetrick, Caitlin Kittredge, Marley Zarcone, Gail Simone, and Greg Lockard.


The “Image Comics: I is for Impact” panel.

The “Image Comics: I is for Impact” panel included Chip Zdarsky, Matt Fraction, Brian K. Vaughan, Roc Upchurch, Wes Craig, Steve Orlando, and James Robinson.


The “Garth Ennis – Crossed DOA & the Future of Crossed” panel.

The Avatar Press panel “Garth Ennis – Crossed DOA & the Future of Crossed” featured writers Justin Jordan, Kieron Gillen, Si Spurrier, and Garth Ennis, and Avatar Press Editor-in-Chief William Christensen.


The “Survivors of the First Comic Con” panel.

My favorite comics-related panel at the con, the “Survivors of the First Comic Con” panel, was moderated by Ethan Roberts and included several participants from the first comic con held in New York in 1964: Bernie Bubnis, Rick Bierman, Art Tripp, Flo Steinberg, Howard Rogofsky, and Len Wein. I showed Steinberg, who was Marvel Editor Stan Lee’s secretary during much of the 1960s, a card I received in response to a letter I sent to Marvel’s offices roughly 50 years earlier on which she had hand-written a response on behalf of “Stan & the Gang.” She seemed pleased to hear how much the note meant to me as a young lad..

Comic book creators at New York Comic Con 2014. [Click to View]

One of the highlights of New York Comic Con is the extensive Artist Alley, which ReedPOP claims is the largest of any comic con. Much of my time when not attending a panel session was spent speaking with the comic book writers and artists in Artist Alley and in publishers’ booths in the exhibition hall. Only at Comic Con will you see the president of Dark Horse Comics handing out free comic books to attendees.


Cosplay at New York Comic Con 2014. [Click to View]

Finally, of course, are the cosplayers that give the con much of its flair. While I don’t focus on costumed characters as much some photographers, it’s always exciting to see someone dressed as a favorite character (particularly an obscure one) or acting the part while in costume. This year my favorite costumes included the Steve Ditko inspired Creeper costume and a well done Beetlejuice outfit.


For the full gallery of photos from this year’s New York Comic Con, see the Flickr photo album: New York Comic Con 2014.

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